| An auto-biography |
![]() 'Helping' with a wheel change on dad's Ford Corsair, c1973 I grew up in the village of Romsley, to the south of Birmingham in central England. At 18 I went to Loughborough University to do a degree in Automotive Engineering - the plan being that it might lead to an interesting motor industry job, and if it didn't it might help me become a motoring writer. I was sponsored by Ford, and worked for the company in Brentwood, Basildon and Dunton in the 'sandwich' year of my degree course in 1990/91. Early FreelanceThough the opportunity was there start climbing Ford's greasy pole, I thought better of it and instead started freelancing for car magazines. The first was Car Design and Technology: at Loughborough I'd written to them asking for a staff job, and editor Anthony Curtis suggested instead that I write some articles for them as a freelance. Sadly the only story I did for CD&T never appeared, because the publishing company folded. Encouraged by that small beginning, I started freelancing for other car magazines - notably the shoestring Jalopy and the fine old journal Practical Motorist in what turned out to be its twilight years. I also worked for Car Mechanics, 4x4 Magazine (another title that would soon disappear) the Evening News paper in Worcester and the Post Office's senior citizens magazine, Active Life. ![]() On the staff: Fast CarIn 1994 I joined Fast Car magazine as a Staff Writer. I was hired to strengthen the magazine's technical content, at a time when Fast Car was highly regarded for its technical articles and product tests. So I spent a lot of time testing aftermarket exhaust systems and the like. I also ran the magazine's technical advice section and had my own column for a while, called 'More Go... With Noakes'. Within a year of joining the magazine, I'd been promoted to Technical Editor, and went on to be Deputy Editor.
After two years with Fast Car I moved across to a new magazine from the same publishing company, Retro. The magazine for 'old cars with attitude' turned out to be ahead of its time, and a year later it was relaunched as the more all-encompassing Classics Magazine. ![]() Classics team tries to take a shoot seriously, and fails. From left: Clive White, me and Ben Hardcastle. In 1999 I was invited to join the Guild of Motoring Writers, the premier group of motoring journalists in the UK and the following year I became Editor in Chief of Classics, at the same time developing a new internet magazine called It's on the Net. Later I was involved with the launch of a Fast Car special called The Guide, and the relaunch of Fast Bikes. Freelance againBy the end of 2002 I was keen to spend less of my time being a manager and more of it writing, and I went back to freelancing. By then I'd already made contact with The Crowood Press and had begun work on Mercedes SL - The Complete Story. Soon after I was offered the chance to write The Ultimate History of Aston Martin, and more book projects have followed. I continued to write for Classics and for It's on the Net, until the latter was hived off to a different arm of its publishing company and never seen again. Since then I've written for CAR, Auto Express, Classic & Sports Car, Classic Car Weekly and the motoring enthusiasts' website PistonHeads.com, amongst others. In 2006 I moved to Warwickshire to take up a part-time post at Coventry University, teaching on the unique Automotive Journalism MA course run by the School of Art and Design. But I still spend most of my time doing what I most enjoy: writing about cars. In 2007 Haynes published my latest book, Ford Cosworth DFV: The Inside Story of F1's Greatest Engine and at the end of the year it was awarded the Guild of Motoring Writers' Timo Makinen Trophy. Being a motoring writer is more of a paid hobby than a job. It's a petrolhead's dream. How else would you be able to talk to World Champion drivers, ride in a two-seater F1 car, interview designers and engineers, get invited to launches in interesting places and drive all sorts of fascinating cars? It's the best job in the world. |


Some of my colleagues from that era would go on to achieve great things: my first editor, Danny Morris (on the floor, left) became a publishing industry managing director; Ian Strachan (giving Danny a good kicking in the pic) writes motoring stories for The Sun; Dave Roberts (black shirt in the pic) and Charlotte Blight are established freelance journalists; Melissa Moorhead, the wonderful art editor who made so many of the magazines I worked on look so good, went on to do the same thing for IPC's Ideal Home; Andrew Charman, also now freelance, became chairman of the Southern Group of Motoring Writers and is a fixture on the committee of the Guild of Motoring Writers.